O Brother, Where Art Thou?

2000 Homer adaptation

Rating: 18/20 (Jen: 17/20)

Plot: It's a faithful adaptation of The Odyssey of Homer. In the middle of 1930s middle America, three escaped convicts (logorrheic Everett and his dopey companions Delmar and Pete) try to find their way to a treasure before the valley's flooded and said treasure is submerged at the bottom of a lake. And, of course, before the law catches up to them. Along the way, they bump into blind prophets, sirens, Babyface Nelson, prospective governors, and a cyclops.

I love everything about this movie. I love the comedy which perfectly combines brilliant performances with brilliant writing. I love the music, the timeless folk music that manages to both capture the Great Depression era and seem otherworldly. I love the Homer allusions and the nods to Hollywood screwball comedies. Most of all, I love the cinematography where the settings add so much color and become just as important as the characters. This film's got such a texture, an impossible-to-duplicate texture, that makes this a one-of-a-kind piece of filmmaking that I imagine will keep it around forever. It's got to be close to impossible to watch this movie without smiling often. It's definitely one of those movies I can watch again and again without ever getting tired of even though people watching it with me might get tired of me laughing in anticipation of certain upcoming gags. Both literary and dumb, there's enough here to appeal to nearly everybody, and it'll even teach you a few new vocabulary words. It's hard to believe that this is only the third best Coen comedy. It might have the single best Coen Brother scene, however, with that can't-believe-I'm-seeing-this KKK rally that even has a Wizard of Oz reference. Any discussion of "best movie musical ever" must include O Brother, Where Art Thou?