Rating: 14/20
Plot: A black guy stops a white guy's suicide by train and takes him to his apartment to discuss their philosophical differences. Black (that's his name--check the credits!) is a reformed criminal with a firm belief in a higher being; White (seriously, they don't get real names!) is a nihilist who sees the world as an unhappy place that he should just escape from.
I kind of liked this, but I didn't like-like it. Samuel L. Jackson is really terrific, giving a powerful performance as White. Or maybe he was Black. I don't know; Gene Siskel's ghost and I were arguing about that. Tommy Lee Jones, who also directed, isn't bad exactly, but he's kind of overshadowed by what Jackson (or maybe Jackson's character) is doing. The conversation, a darker My Dinner with Andre-esque stream of words, is philosophically interesting, but it lacks cohesion and doesn't make me feel like I've actually gained anything by eavesdropping on the two for an hour and a half. The biggest issue is it never really feels like an actual conversation as opposed to a couple actors sitting down and exchanging scripted verbosity. Yes, that's precisely what it is, but it should still feel natural, right? The problem might be that the two actors are so recognizable. Still, this is worth watching if you've got the time. I just wouldn't recommend it in the lobby at the motel where I work at 4:00 AM when you're already depressed because somebody took your couch away.
Haven't seen it.
ReplyDeleteBased on the play by Cormac McCarthy, the world's greatest living author! Didn't know they made it into a movie, though. Didn't care much for the play on paper, but I suppose I'll have to see it anyway.
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