2009 comedy
Rating: 15/20
Plot: A semi-autobiographical tale of comic singer-songwriter Henry Phillips, this follows the protagonist to L.A. where he tries to make it big and get himself a record deal. Meanwhile, he deals with his brother, love, accusations of Neo-Nazism, and being a sell-out.
This is smart and understated like I prefer my comedies. I watched it on a whim, probably because Sarah Silverman liked it and I want to impress her, and I'm happy that I did. It's not so much a mockumentary, but it's got a vibe similar to Curb Your Enthusiasm where it feels like you're just following this hapless character around as he has misadventures instead of watching a character in something more written. No, Henry Phillips doesn't have the acting chops (does Larry David?) to make it all that believable or Larry David's personality to carry the premise, but this is well written enough that it doesn't matter that much. And Larry David doesn't have a guitar. Phillips' songs all the sound the same, but at least I like his voice and they are consistently funny. As his manager, played hilariously by Ellen Ratner, says, he's like "James Taylor on smack." Loved Phillips' response to that: "But James Taylor really was on smack." I also enjoyed Phillips' rival Stupid Joe (Mark Cohen) and the cuts we get to hear from his album Let's Get Guitarded, probably enjoyed them a little more than I was supposed to actually. But c'mon, it's impossible not to laugh at "Cut loose, footloose, there goes some more brown juice," isn't it? This feels like a Phillips-penned love letter to his career, and I really enjoyed it.
Keep coming across this at work, may have to check it out.
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