Hobson's Choice

1954 dramatic comedy

Rating: 17/20

Plot: The titular guy with really no choice at all (hence, a Hobson's choice) is a successful but aging cobbler who, as a widower, raises his three grown daughters. He's cheap, drinks a lot, and could probably be described as verbally abusive to his employees and family. He won't allow his daughters to marry because he's worried about paying a settlement, so his oldest daughter takes matters into her own hands, forcing Dad's top boot-maker to start a life and business with her. Then, she tries to help our her two sisters.

Love the opening shots of a creaking sign in the shape of a boot, a venturing into Hobson's boot shop, and an investigation of the setting. I like when the cinematography makes me feel like I'm intruding. I liked the characters, too, even though I went into this thinking they'd be a little more manic, more comedic. Like caricatures. Charles Laughton plays drunk well, that 1920's kind of drunk that Chaplin and probably every other silent comedian did so well. He shows a surprising physicality here, and he does this whole sophisticated irritation thing so nicely. I think that's how the English get irritated. But I also really liked John Mills as Will Mossop, the lowly bootmaker with no aspirations at all. The movie's as much about his metamorphosis than it is Henry Hobson or any of his daughters although Maggie is just as much a protagonist as she makes every single thing that happens in the movie happen. Brenda de Banzie plays her with just enough of her father's character in her to make her motivations and actions realistic. But Will's story was really the emotional heart of this one for me, and Mills takes us through the journey in what I thought was a very natural way. So for me, this is a story about realizing your potential more than anything else. Nothing hysterically funny here, but it's an amusing little comedy with some dark edges. The interactions at the Moonraker with his odd-looking friends were funny, and a chasing-the-moon sequence reminded me a bit of W.C. Fields for some reason.

Another quality Cory recommendation!

1 comment:

  1. Glad you liked it. This is a fun, intimate film with a larger than life Laughton who is always a joy to watch (reminds me a bit of his "Witness For the Prosecution" character). Lean's direction is clean, the sets and cinematography are perfect, and I love the blend of humor and seriousness. A 17, as well. Thanks for checking it out.

    Replacement if you want one is another, very different Laughton film, the 1936 version of "Les Miserables".

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