Le Havre

2011 Aki Kaurismaki movie

Rating: 17/20

Plot: A poor shoeshiner with a sick wife helps an African immigrant.

Aki Kaurismaki makes movies about human beings for other human beings. When I watch these things, there are emotions that he deals with in ways that I can't quite pinpoint, but I don't think there's another director alive who handles his characters this delicately and gives his audience the chance to appreciate the insignificant gaps in their stories. Kaurismaki's movies have space, and I think that's why I like them so much. This one's no different. His camera moves, but you'd still describe this as minimalistic. Andre Wilms is so good as the husband, and I really liked the character's dry wit. Yep, liked him a bunch. In fact, I can't remember a character I've rooted for this much. Kati Outinen, another Kaurismaki regular, is just as good in the smaller role of the wife. Their relationship is beautiful, somehow complex and simple at the same time. There's a wonderful scene where Wilms and Outinen give each other a glance at the mention of a memory, and we realize that there's all kinds of depth and history with these characters that we'll never be able to understand. It's those simple moments that make this so great--Minie and Little Bob illuminated during their reunion, the looks on the frozen faces of the refugees when their crate is open, the black kid jiving to a blues record, a look given in a taxi, Little Bob's Michael Jackson jacket. The kid's really good, too, probably because he's quiet. I believe this is the first Kaurismaki release that got any recognition in America, and since I'd call him one of my favorite directors, I was really looking forward to seeing it. Like his other movies, it really makes me want to just sit around and watch nothing but his movies.


No comments:

Post a Comment