Purple Noon

1960 remake of 1999's The Talented Mr. Ripley

Rating: 16/20

Plot: Rich Mr. Greenleaf sends Tom to Europe to retrieve his son Philippe who seems to be on an endless vacation. The senior Greenleaf believed the two were BFF's growing up. Philippe continues dicking around, so Tom decides to kill him and steal his identity so that he can buy a closet full of white jeans.

That poster is courtesy of Poland in case you're wondering. I was wondering why Cory would not only recommend a movie starring pop star Prince but why he claimed to have "thought of [Shane] when [he] saw it." I started watching and said to myself, "Why is Prince a white dude, and why's he speaking French?" Turns out that Prince isn't even in this movie, and neither is any artist formerly known as Prince. It's Alain Delon, a guy I've liked in a few other movies that don't have Prince in them. He's good here, too--creepy in an almost pleasant way which makes his whole persona that much creepier. He plays the sort-of two roles here really well with just the right amount of subtle differences, and even though he's convincing as a crafty dude, he's also got this palpable naivete that makes you know that he ain't getting away with any of this no matter how sly he thinks he is. There's a great little look he gives when an old woman tells him, semi-ironically (I have to say semi-ironically since I don't know what ironic means so that if somebody calls me on it, I can say, "Well, I did say semi-ironically.") "This is no time to be killed." Philippe, played by Maurice Ronet is such an unlikable guy that I actually couldn't wait for him to be murdered. I enjoyed the early characterization in this. So much is revealed when the mischievous duo buy a blind man's cane from him and then use it to pick up a woman. I like the little details, too. The fish market scene with its wild music and close-ups of all those fish faces, all the focus on the set-up and equipment when Tom is practicing his pal's signature, that kind of stuff. The ending is great in a lot of ways that other movie's endings aren't great, but my favorite scene is a murder scene, a death by Buddha where the victim's last sight is a chicken a few rolling tomatoes. His last words--"Ahwa-oo-oo." That guy deserved to die, too, mostly because he's a jerk who can't park. The aftermath of that act of violence, a hand over the banister with some ironic music and a situation where the dead must smoke a cigarette, is really nice, too. With constant jazz burbling below the surface and all kinds of tasty foreshadowing, this well pieced-together suspense story is a good one with or without Prince's involvement. Definitely recommended for people who know what ironic means or probably even those who don't.

3 comments:

  1. This film caught me by surprise. I enjoyed "The Talented Mr. Ripley", but Damon's presence was almost a distraction. This film is pure creepy. I liked the colors, the acting, and the subversive, slightly perverted feel to the whole thing. It seems very unique and daring for 1960. There seemed to always be tension right under the surface, and even though a small part of me was pulling for Tom to get away with it, the ending was extremely well done and appropriate. A 17, for me. I'm happy that you checked it out and liked it. Foreign replacement if you like is "Raise the Red Lantern".

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  2. I loved this. went on to read a bunch of the talented Mrs. Highsmith's novels. She's fucked and good at making you disregard yr integrity. anda-smokin! http://othershadow.files.wordpress.com/2008/11/highsmiththree-721597.jpg

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  3. I saw a similar picture of Hemingway. I checked my integrity at the door.

    Matt Damon is ALWAYS distracting.

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