2019 Year in Review (Last Part)

Best Long (Extended) Shot

Anybody who knows anything about my taste in movies knows how much I love extended shots. The last hour of Long Day’s Journey into Night is one of the more extraordinary ones I’ve ever seen, so it’s winning this award. However, I also loved these:

Thunder Road’s opening where the main character addresses people at a funeral and performs a dance
Le Quattro Volte has a long shot with an Easter procession, a dog, a vehicle, and a goat, and I have no idea how it was pulled off.
The soccer stadium scene in Secret in Their Eyes seems completely impossible.
The opening 10 minutes of Stan and Ollie where the titular duo are walking through a studio on the way to their set

Favorite Cameo

Two are Mary Poppins related--Dick Van Dyke in Mary Poppins Returns and Larry Poppins in The Lego Movie 2. I don’t know why I’m calling Larry Poppins a cameo though. He's a cartoon character. So never mind.

Hi!

Shyamalan was in Glass because he thinks he’s Alfred Fucking Hitchcock, and his appearance was long (probably too long to even be considered a cameo) and awkward.

Hi!

Is Jeff “I forgot my mantra” Goldblum’s appearance in Annie Hall even a cameo? I mean, he wasn’t Jeff Goldblum yet, was he?

Jim Jarmusch and his mind-reading dog in In the Soup is a nice cameo!

Bob Dylan shows off his acting chops in Dennis Hopper’s Backtrack. Bob Dylan, in case you've never seen him try to act, cannot act.

Hi! 

Never mind. Dick Van Dyke wins! I’m really losing my enthusiasm and don’t feel like putting much thought into any of this anymore. And you get no picture because I already have a picture of Dick Van Dyke on that desk somewhere else.

Best Voice Work

This is where Larry Poppins should go!

Hi!

Pedro Almodovar voices “Gloria” in Arrebato, and that’s pretty good. But that “Hi” I mentioned in the “mirror” category earlier from Brain Damage is enough to give John Zacherle, the voice of Aylmer, the win in this category.


Best Giggling Kung-Fu Master

Yuen Wah’s “general” character in Eastern Condors


Best Baby Acting

Elbert Coplen Jr., in his only role, was terrific as the baby in Bachelor Mother. But William A. Poulsen in Another Thin Man was like the Tom Cruise of baby actors in the 1930s, so he wins.


Best One-and-Done 

Any number of the people who ended up in The Milpitas Monster could have won this, but Dick Ashe has the best name, so he wins it for directing Track of the Moon Beast and then nothing else.

The Tootie Award (Worst Performance by a Child Actor)

Kasie, played by Caitlin Dwyer, in The Fighter only has one line--where she gets excited about a bigger apartment), but it’s really bad.

Evelyn Del Rio, a little crying girl in You Can’t Cheat an Honest Man, isn’t very good.

And Cammie King Conlon, who played Bonnie in Gone with the Wind, is terrible.

But the winner of this year’s Tootie is Donnie Dunagan, the grandson of Frankenstein in Son of Frankenstein. He also voiced Bambi, by the way.


Best Extra

An old bald guy at the Cafe Bel Ami in An American in Paris who can’t stop staring at Gene Kelly. He was really distracting.

A guy with no legs in The Young and the Damned

A street person surrounded by fake mice in Twisted Pair

The easy winner is one of the children in Santa’s Christmas Circus who is enjoying Whizzo the Clown’s shenanigans. She couldn’t stop coughing throughout the movie, and I’m fairly positive that she died of tuberculosis soon after the filming of the “film.”


Favorite Small Characters of the Year

The ice cream man in The Northerners

Mr. Sophistication, an emcee at Gazzarra’s club in The Killing of a Chinese Bookie


A shopkeeper wrapping the waiter’s bow and arrow in The Waiter, doing it with such patience and hilarity

Vincent Lindon, the guy I mentioned in the “Best Monologue” category who talks about “nothing like a good shit” in La Haine

Peter Stormare’s doctor in Pain & Gain, talking about “beautiful, robust erections”


The kid with a neck brace in George Washington who plays Marco Polo despite not being in the pool

A kid licking the top of a pew in Winter Light

A guy imitating trolleys in Kurosawa’s High and Low

The pirate with an eye patch and acid-washed jeans in Under the Silver Lake

The surly bartender complaining about the Sisyphean monotony of his job in Destry Rides Again

Best Nicolas Cage Moments of the Year

Calling somebody a “turkey puncher” as his Spider-Man noir character.

“You ripped my shirt! You ripped my shirt!”

That bathroom scene in Mandy, a real tour de force. That’s one that will go in his montage when they give him a “Best Actor Ever” award right before he dies.


The aforementioned “Eric Estrada” knock-knock joke

That smile at an imagined Mandy in one of the final shots of that movie


“I gotta get a suit like that,” an improvisation in Honeymoon in Vegas 

His call of “Yoohoo? Can I get a room”” at a hotel front desk in Vegas

His skydiving in that skydiving sequence, especially since it’s clear he’s not doing his own stunts


“Memories” by Nicolas Cage, a scene I mentioned in the “sex scene” category


Yet another peach reference--a mention of a woman’s “peach juice”--which reminded me of all the other times he’s referenced peaches in his movies

Asking a woman to “fuck him” like Linda Blair in The Exorcist

The “golden shower” moment...sorry, it’s a “Golden Shower!” moment

“I lost my hand! I lost my hand!” while holding up his ridiculous wooden hand in Moonstruck


All the stuff that precedes the moment he sleeps with Cher in Moonstruck--flipping a table, screaming “Son of a bitch!” for no reason

The Wiseau (Most Impressive Writing/Directing/Acting Triple Threat)

Gaspar Noe put himself in Love. It’s terrible, and he’s terrible.

Shymalan couldn’t resist putting himself in Glass. It’s not a good movie, and his appearance makes it even worse.

Sorry though, fellas, this one belongs to Neil Breen for writing and directing and acting in Twisted Pair and not doing any of those three well at all.


Best Actor

Michel Simon, Jules in L’Atalante
Nicolas Cage, Mandy
Issey Ogata, Silence
Christian Bale, The Fighter
Tom Waits, Hermit Bob in The Dead Don’t Die
Ken Okata, Vengeance Is Mine
Andrew Garfield, Under the Silver Lake
Robert Duvall, Apocalypse Now
Robert Donat and his fake mustache, Goodbye, Mr. Chips
Al Pacino, Scent of a Woman
Brian Dennehy, The Belly of an Architect
Max Von Sydow, Pelle the Conqueror

The winner? Nicolas Cage!


Best Actress

Regina Hall, Support the Girls
Maggie Cheung, In the Mood for Love
Emmanuelle Riva, Hiroshima Mon Amour (1,000 women in one)
Delphine Syrig, Jeanne Dielman
Gina Rowlands, A Woman Under the Influence or Opening Night
Liv Ullmann, Scenes from a Marriage
Juliette Binoche, Certified Copy
Harriet Andersson, Through a Glass Darkly
Florence Pugh, Midsommar or Fighting with My Family
Shuzhen Zhao, The Farewell
Sofia Boutella, Climax
Elizabeth Moss, Her Smell
Angela Winkler, Benny’s Video
Scarlett Johansson, Marriage Story or anything else I saw her in this year

Usually, Scar-Jo wins this one. But Gina Rowlands is special.


Still, this award goes to Scarlett Johansson.


Best Animated Movie

Habfurdo (Foam Bath) from Hungary started my year off right! But Spider-Man: Into the Spider-Verse, Missing Link, Birdboy: The Forgotten Children, I Lost My Body, and Toy Story 4 were all great! So how about you decide. I'm tired of picking winners.

A still from Toy Story 4
Best Documentary

Three from this year--Rolling Thunder Revue, which might be my favorite 2019 release; Amazing Grace, and Apollo 11--were all good, and I really liked The Thin Blue Line; Hale County This Morning, This Evening; The Biggest Little Farm; Of Fathers and Sons; Nostalgia for the Light; Restrepo; Leviathan; and The Emperor’s Naked Army Marches On.

The winners: A tie between Berlin, Symphony of a Metropolis and Homo Sapiens



Best Silent Movie

Once again, I didn’t watch nearly enough silents this year. I think I have to go back to having Silent Saturdays. Berlin could win this one, too, but I feel like giving it to something else, so we’ll go with Spies, just barely over Strike and Earth.


The Torgo (Best Worst Acting by a Male)

Robert Scott, “Junior” in Snake Eater, a growling redneck who sometimes pretends to be a bear
Karl Glusman, Love
C. Thomas Howell, Hedion in Zolar, a performance aided by a ridiculous alien nose
Jordan Hoffart, Zolar in Zolar, inauthentic as a kid or as an alien
Theo Barnes, a neighbor who displays some histrionics in Brain Damage
Sserunya Ernest, Who Killed Captain Alex?, whose best moment is when he cries and destroys a television
Alan Swain, a drunk bowler in Track of the Moon Beast
Neil Breen, two of him in Twisted Pair
Crazy George Henderson, the drunk guy in The Milpitas Monster
Dennis Hopper, Backtrack or Catchfire or whatever he wants to call that movie
Keenan Wynn, the bad guy in Herbie Rides Again
John Travolta, Moose in The Fanatic

I mean, it’s Neil Breen proving that two Breens are better than one. How can anybody else have a chance? Well, consider this an upset if you must, but Travolta is pretty special in The Fanatic. Congratulations, John Travolta! You’ve embarrassed yourself!


The Livingstone (Best Worst Performance by a Female)

Only three nominees this year.

Franka Potente, a woman with a wavering accent in Between Worlds
Denise Bellini, the agency director in Twisted Pair
Dianne Wiest, the wife in The Mule

This award goes to Denise Bellini! If you can stand out as “bad” while working with Neil Breen, you know you’re bad.

Worst Movie Experiences of the Year

I hated all of these movies.

Love
Velvet Buzzsaw
Pain & Gain
I Saw the Devil
Welcome to Marwen
Happy Death Day 2U
Train to Busan
Border Radio
Fast & Furious Presents: Hobbs & Shaw (most disappointing)
Stuber
Anna
Glass
Godzilla: King of the Monsters

The Manos (Most Enjoyable Bad Movie Experience or Best-Worst Movie of the Year)

Snake Eater
Zolar
Who Killed Captain Alex?
Track of the Moon Beast
Twisted Pair
The Milpitas Monster
The Fanatic
The Mule
Santa’s Christmas Circus with Whizzo the Clown
Herbie Rides Again

A really down year for good-bad movies. And I should really figure out a way to exclude Neil Breen from these things. Twisted Pair wins this one! It’s not his first Manos, and I have a feeling it won’t be his last.


Best Movies I Saw All Year

I know that all of you are really excited about reading these, but I don't feel like doing it. It just seems fitting that I'm ending this blog by disappointing people.

The End

2019 Year in Review (Part 5)

Favorite Quotes (Part 4) 

"I'm gonna rip your eyelids off and paste them on your asshole, alright?"
"Ah! A distressing odor. I seem to feel my bowel moving."
"I say there is no arse wiper like a well-downed goose. Take my word for it."
"My penis betrayed me."
"What a nostril--a dramatic nostril."
"There's nothing I hate more than happy morons."
"Woe, woe, the wooden horse is forgotten."
"What a world. It could be so wonderful it wasn't for certain people."
"Whitefella way is shit way."
"If I had a steak, I would fuck it."
"But as for me, I'm living between the buildings with the ghosts."
"But I love life, imbecile!"
"Falling asleep while defecating, I don't care."
"I'd say that the whole world consists of a whole bunch of bastards. You hear that, bastards?"
"I want to make movies out of blood, sperm, and tears."  (Followed by “Hahaha. That’s so sweet.”)
"Shall we make those pants dance?"
"You best get to shucking!"
"Did we just murder. . .as a family?"
 "Will you please check my head for signs of spoiling?"
"It's about time people learned about their failures and my successes."
"I've never been able to relieve myself in the presence of another."
"You don't know how fast time goes by until you get there."
"Oh, great. I'm inside a guy who likes game shows."
"First one feather goes...and then another. In the end, you're just a plucked chicken in the dung."
"I've never seen a guy get picked up by his testicles before."
"It's living in the past that is scary, not mudslides."
"It's hard to get born, and it's hard to die."
"I don't know why you're outside my house like some deaf mute pervert."
"The brighter the light, the clearer you see the scum."
"The napkin is the only thing that separates man from the carnivorous animals."

The E.T. (Best Product Placement)

Burger King in The Thin Blue Line
Sun-Maid raisins (also Budweiser) in Stars and Bars
Marlboro and Pizza Hut in Frantic
Starbucks in Velvet Buzzsaw
Chick-fil-A fries and Digiorno pizza (the latter with a shot of a line of drool rolling down a baby’s stomach) in Hale County This Morning, This Evening
Pepsi in the climactic Live-Aid scene in Bohemian Rhapsody
Whitman’s Candy, The Night Stalker (used as a bribe)
Marlboro in Ivan Vasilievich: Back to the Future
Fruit Roll-Ups in Rabbit Hole
Mounds in Rolling Thunder
Snickers, Snapple, Mountain Dew and likely others in The Dead Don’t Die
Tab (my favorite!) in Kramer vs. Kramer


Wrigley gum in Hair
Yoohoo in Happy Death Day 2U
McDonalds in Benny’s Video
Oreos, Doritos, and especially Avis (the rental car for people who have had acid dumped on your own car by a scorned mistress) in Fatal Attraction
Vis a Vis markers in The Fanatic
Bengay in The Mule


Home Depot in Pain & Gain, because that’s where dumb characters need to go to get items needed to dispose of bodies. And you can return your saw there! This movie also has a brief commercial for something called a Taco Supreme from Taco Bell.

Corn Flakes, Campbells, and KFC in Scarecrow

But the winner? Hostess Sno-Balls in Backtrack!


Best Fake Product Placement

I don’t believe “Liquid Python” from Happy Death Day 2U is real, but it doesn’t matter because it can’t compete with Cheddar Goblin, seen in a commercial in Mandy. Cheddar Goblin!


Best Scene Involving Cannibalism

Dr. Caligari, a guy who is also addicted to shock therapy

There’s also some cannibalistic references in Pilgrim. But man, I didn’t see nearly enough movies with cannibalism in 2019!

Best Dream Sequence

There’s severed heads, bleating, and a sheep bursting through a fridge in one in Dr. Caligari.

There’s a husband’s dream sequence in Who Wants to Kill Jessie? involving magic anti-gravity gloves, the fetching Jessie in various bondage poses, and the wacky superhero and cowboy villains.

There’s another one in Jessie with a cow’s dream of gadflies that might be even better.

Mandy has a Bakshi-inspired animated dream sequence, but I didn’t love that one.

The kid in Time of the Gypsies has a very strange sex dream.

3 Women has what you might call a dream sequence within a dream. Inception-esque?

Matthew McConaughey’s in Serenity, but that’s only because he, like me, dreams of himself naked.

Under the Silver Lake has that scene I mentioned in this earlier with the intestines. I’m not totally sure what is a dream and what’s real in that movie though.

The Lighthouse has a dream sequence with mermaids, always a plus.

Herbie Rides Again shows the villain’s nightmare with a bunch of fanged Herbies. Terrifying!

And there’s a great butterfly montage in The Duke of Burgundy that looks like something from a Svankmajer short. I loved that.

The winner is so easy though--the last hour of Long Day’s Journey into Night, an unbroken shot that is the dream of a person sleeping in a pornographic theater. Man alive!

Best Devil

Though the trio of biker demons in Mandy are cool, this has to go to Jaan Tooming in November, an ornery little devil lurking around in those black and white woods.

Best Movie Prayer

“Jesus, I approve of you as the only cool man besides Kurt Cobain.” (Love Exposure)

That’s good, but Elizabeth Moss’s prayer to the goddess amidst all this insanity in Her Smell wins.

The Shammalammadingdong (Goofiest Movie Twist)

This has to go to the end of Zolar. I can say no more, for I would not want to spoil anything.


Best Tree

Meek’s Cutoff has nice tree, but the tree in Le Quattro Volte--one that is hoisted and climbed, etc.--is more vital to that story.


Best Use of Doors

Where Is My Friend’s House? 

Most Egregious Thing I Saw in Any Movie This Year

“You like a little Bizkit?” a dad asks his son in Fred Durst’s travesty, The Fanatic


Random Favorite Moments or Scenes I Really Enjoyed from Movies This Year

A still of hippies kissing used twice (twice!) in Herbie Rides Again
Pompeii excavation scene in Journey to Italy
Sharon Tate watching herself on the big screen in Once Upon a Time in Hollywood


A cult member amusing himself with an automatic window in Mandy
Daniel Day-Lewis having a staring contest with a cactus in The Unbearable Lightness of Being
A perfectly-timed skirt flip in The Last Days of Emma Blank
A Kyle MacLachlan snot rocket in High Flying Bird
Some bad acting with a cab driver in Touki Bouki reacting to a skull
Valentina Cortese in Day for Night trying to get through a scene while soused
An old lady’s “thank you” at the beach in Shoplifters
Ryan Gosling unpacking an old man’s things in Blue Valentine
A local in Restrepo trying to get a straw into a Capri Sun during a meeting with soldiers
One of Breen’s characters screaming “I never had a beard!” in Twisted Pair
A cabinet opening in Vengeance Is Mine to reveal another victim
Agata Trzebuchowska taking off her nun hat (I know--that probably has a name) in Ida


Sherly Lee laughing at an angel in Fire Walk with Me
John Travolta smelling his finger after touching his ear and Hunter’s ear in The Fanatic
Those oranges in Shoplifters
A camera sweeping over a roof to a little window with the titular baby in Little Tony making the perfect expression while sitting amongst some birds
Colored hands hanging on a wall in front of a tiny chair in Thunder Road
A silhouette searching the Atacama Desert for human remains while a lone star looks on from above in Nostalgia for the Light


So many in Apocalypse Now, the sun stealing the movie in nearly every shot its in
Jean running away from the camera on a beach in L’Atalante
A sister’s descent into the waters in Sansho the Bailiff
Nearly every shot in In the Mood for Love, but if I’m forced to pick one--a shot of a reddish hallway with a plant in the foreground


A shimmering tea room in Hiroshima Mon Amour
A first shot of Marilyn Monroe (her first screen appearance actually) in The Asphalt Jungle
A shot of the eyes of a suicidal lady’s eyes in Berlin, Symphony of a Metropolis
Carnival lights as a backdrop to a chase sequence in Minneli’s Some Came Running
Those impaled guys on a beach in On the Silver Globe
Fireworks perfectly punctuating a death sequence in Ashes and Diamonds


Swirling around Fonny’s artwork in Beale Street, and all that smoke
Cold Water--a kid emerges from woods after reciting Ginsberg, hops on a bike, gets absorbed by the fog
This miraculously impossible rolling apple the camera follows for a really long time in Once Upon a Time in Anatolia


The ringing bells at the end of Certified Copy, at least once that guy gets his head out of the way
A mother and son in a bed together slowly fading into the body of a murder victim in Mother
De Niro watching dancers illuminated by lights of a train in New York, New York
A fading shadow during a sex scene in Burning
Suzanne on the front of that boat while Klaus Nomi sings in A Nos Amours


A shot following Ogata down an alley when he abruptly turns around and looks directly at the audience in Vengeance Is Mine
Pretty much any shot at all from Homo Sapiens, a movie that might not have the best shot but has the most best shots


Grandma waving goodbye from the perspective of a car pulling away in The Farewell
A maddening swirling shot in Opera from the perspective of a raven, one of those seemingly impossible shots
A creepy figure behind frosted textured glass in Joon-Ho’s segment in Tokyo!

Best Opening

There might be recency bias, but I really liked an opening shot in Dust in the Wind, a simple one of a train coming out of a tunnel. It’s lovely and sets up a central metaphor.

This is not the opening shot. It's a little after the opening shot. 

I also liked the opening of Scarecrow, a jolt with Hackman stumbling down a hill; the two-minute tracking shot with great pedestrian and vehicle choreography at the beginning of Day for Night; the almost magical opening shot of The Lighthouse; the five-minute long shot that begins Long Day’s Journey into Night; another long shot that introduces the town in Kusturica’s Time of the Gypsies; and the entwined, glistening, and eventually ash-covered bodies shown in the opener of Hiroshima Mon Amour. I also loved the opening shots of a Jesus statue in Ida

Best Intertitle Card

“Well, goodbye, I’m dyin’” or “He liked pears,” both in Earth

Best Closing Shot

Most of these are probably spoilers. If you haven’t seen the movie, don’t read about the closing shot. It’s not like any of you have gotten this far anyway.

The Asphalt Jungle: Horses getting ready to devour a character
The Thin Blue Line: A tape recorder, the audio sharing the haunting words of a probable killer
Mandy: The otherworldly psychedelic landscape featuring multiple planets
Hana-Bi (Fireworks): A shot of a girl with a kite during the indeterminate ending
Ashes and Diamonds: A poor guy dying on a heap of trash
Jeanne Dielman: A character just sitting at a table
Spies: A clown shooting himself in the head and getting a round of applause
Another Year: A shot of Mary
My Sweet Little Village: A shot of the two co-workers walking (and hopping) in sync
Land without Bread: An abrupt “After two months in this country, we leave” followed by FIN
Goodbye, Mr. Chips: A creepy superimposed kid starting straight into my soul
The Big City: light bulbs--one working, the other not
Long Day’s Journey into Night: A miraculous sparkler, a symbol of transience, concluding an uninterrupted hour-long shot

I’m picking Jeanne Dielman as the winner, but you should be aware that I didn’t put any thought into it at all.


Most Distracting Aspect of Any Movie I Saw This Year

The imprisoned guy (Randall Dale Adams) in The Thin Blue Line has a very similar speaking cadence to Nicolas Cage. I couldn’t un-hear it.

Best Poster




















Worst Posters

Innerspace has a bunch of awful posters. This one is my favorite:


Best Narration

Only one movie had a “Video Joker,” and that was Who Killed Captain Alex? A bonus for the added fart sounds.

Best Wilhelm Scream

Welcome to Marwen

Worst Allusion That Doesn’t Have Anything to Do With Fred Durst or Limp Bizkit

Welcome to Marwen, a bit where Zemeckis references to his own Back to the Future

Worst Cut

Dennis Hopper’s character in Backtrack appears to leap from a rooftop and land right in front of Jodie Foster’s dresser. That’s something, but it didn’t make me laugh as much as Eastwood’s cuts when his character gets to an engagement party in The Mule.

Clint Eastwood needs to retire, by the way.


The “Whoops! I Forgot the Title Screen” Award

I’d have to do a little more research than I’m willing to put into this. I know that Noe’s Climax starts with what appears to be closing credits, and I think the title screen shows up about halfway through the movie. Long Day’s Journey into Night’s title screen appears an hour and eleven minutes into the movie, right before the shot that is winning the next award.

Which you'll have to wait for in Part 6. That's right, motherfuckers--a cliffhanger.