Showing posts with label movies where Natalie Portman does not masturbate. Show all posts
Showing posts with label movies where Natalie Portman does not masturbate. Show all posts

Thor

2011 religious movie

Rating: 8/20

Plot: Odin's titular kid is too cocky and stirs up too much trouble, so he's sent from Asgard to earth where he falls in love with Natalie Portman and saves humanity from some bad guy from Asgard who is up to evil things that I never quite understand because I'm too bored to pay attention.

If I'm going to eventually watch The Avengers, apparently the greatest movie ever made, I have to do my homework and watch these other movies. I've got Hulk and Iron Man covered, so it's just this and Captain America. I'm not exactly a comic book or superhero expert, but when the most interesting character in the whole movie is "Pet Store Clerk" played by some guy named Isaac Kappy, you probably have a sucky superhero movie. Isaac Kappy's had a great start to a very promising career, by the way. No, he doesn't have his picture on imdb.com yet, but he does have three message board posts on his page and only one of them is his. He just hasn't had the right role yet because his work as "Pet Store Clerk" in this is fantastic. He's played Rowdy Prisoner, Stoner Dude, Geek, Buzter Pie (in Klown Kamp Massacre), and Hustler, but I'm willing to bet his best work is still to come. But back to Thor since this is his movie, unfortunately for him. This is the least fun I've had watching a superhero movie with the exception of Spiderman 3, but Spiderman 3 did at least have a great scene where James Franco is enjoying pie. It's all so stiff and lifeless and the scenes on Asgard taste a lot like the inside of a computer. So many grand swooping fake camera movements over shiny castles. Look at the scene where, accompanied by giant omnipresent predictable music, Thor and his peeps ride horses on a iridescent bridge after these big fake doors open. It just made me wish that I was watching a Western with real people riding real horses. Then, they go to a yellow-eyed guy who watches over the bridge. He turns out to be important, and if more people read this blog, some comic book nerd (Kent?) would tell me what his name was and make fun of me for not knowing it. I could stop all that from happening by just looking it up, but my eyes still hurt a little bit from all the Asgard glossiness. I really hated the action scenes in this. It didn't take long for me to be convinced that this whole movie was just part of a conspiracy to sell plastic hammers to children. But the action scenes confused me, especially the one where they loudly fight in the land of the ice people. There's a lot of swooshing and a lot of crumbling things, but it was mostly too dark for me to figure out exactly what was happening. Or maybe it was my television. I'm too lazy to Google "Guy with yellow eyes on the shiny gay bridge in Thor," so it's not hard to believe that I'd be too lazy to adjust the brightness on my television. Things improve slightly once Thor hits earth, and this part of the movie really could have worked as an entry in the whole stranger-in-a-strange-land genre if ("What realm is this?") it just didn't take itself so seriously. I did chortle when Thor smashed a glass in a diner. I might have enjoyed that part of the movie more, but I was confused about how a taser could take a superhero out, probably because I didn't watch this with a comic book nerd (Kent?) who would have explained it all to me. And what's with all the tilted camera angles in this? Was it the cinematographer's ingenious way of showing that Thor's world had become askew? Was it an homage to the comics? The dialogue in this is very awkward, and that might explain why the acting is almost universally bad (Pet Shop Clerks excepted), especially Natalie Portman who is quickly becoming a sort of pet peeve for me. She needs to stop before she loses all credibility. And speaking of credibility, why is Kenneth Branagh directing stuff like this? Did he run out of Shakespeare plays? Did somebody convince him that this was a Shakespeare play? Another question--isn't the whole Thor-as-a-Christ-figure thing a bit odd? Or is the whole father/son story (that's how Netflix categorized this for me, by the way) an archetype? Anyway, back to the movie. Eventually, Thor magically--and by that, I mean stupidly--gets his hammer back and fights a giant metal man in a tornado. And that's not even the big dumb climactic fight scene that all of these superhero movies seem to end with. No, that pits the sort-of good against the ambiguously evil in a special effects laden bunch of hurls and clashes that succeeded in making me wish I had gone to bed instead of watching this. And it was four in the afternoon!

This is fairly verbose, so let me simplify things for you: Watch this with a comic book nerd (Kent?), give your comic book nerd instructions to wake you up in time to see the scene in the pet store, fall asleep before the movie starts, watch Isaac Kappy's genius, and leave to buy an ice cream cone. You can thank me later.

Hesher

2010 after-school special

Rating: 12/20

Plot: Dwight from The Office loses his wife, and he and his son are having difficulty coping. Dwight grows a beard while son T.J. obsesses over purchasing the car his mother was killed in from the junkyard. Dad mopes on the couch; T.J. deals with a bully who makes him lick urinals. Enter the titular uninvited guest, a long-haired tattooed rocker with a scary van and a dirty mouth. He makes a mess of everything.

I'm not sure if the poster is supposed to look like somebody left it in his pants pocket and accidentally sent it the washing machine or not, but I guess it fits. It's heavy metal and all, right? This movie and Gordon-Levitt go for attitude over substance, but this movie really felt flat to me, like an after-school special with a whole bunch of cussing. I kind of liked the titular character, more as a symbol than as an actual flesh 'n' blood slacker, but Gordon-Levitt is just a little too sure of himself here, leaning too heavily on the character's written antics and fuck-filled lines and not giving Hesher any real depth. Comically, it works though. The Star Wars trash compactor scene re-enactment is a hilarious bit of frantic genius. I also really liked the "on one condition" flatulence bit, something I might borrow for my personal life. Which might make the point since, as I said, he's really more of a symbol for this father and child anyway. Rainn Wilson's not bad in a more dramatic role, but he's got the same problem with a lot of sitcom stars with very recognizable faces--it's just hard to take him seriously. The youngster, Devin Brochu, really does a good job with an emotionally tough role. His character is put through quite a bit. Hell, he falls off his bicycle at least three times in this movie. I realize that's probably a little stuntman though unless Devin Brochu is the Tom Cruise of child actors or something. Natalie Portman's performance is dull, but it might have more to do with her character being pointless. Well, no. She's actually just not very good here. I didn't buy that character at all. Things are just implausible in this, and although the sentiments are nice, I just had too much trouble connecting with these characters and their story in a way that was meaningful.