Rating: 14/20
Plot: The titular big-blue-headed supervillain, after a life living in the shadow of his heroic arch-nemesis Metro Man, finally defeats his foe and wins control over Metro City. But the criminal mastermind, despite also sort of getting the girl, soon gets bored without the yin to his yang and creates a new superhero to fight against. When the new superhero turns out to be corrupt, Megamind, for the first time, has to try to save the city instead of destroy it.
I never look forward to animated features from the Dreamworks people and wasn't all that excited when somebody at school picked this for our students to watch on their party day. However, the onslaught of pop culture references and terrible modern music [Why can't the Dreamworks people just hire themselves a Randy Newman?] didn't distract too much from a cute little story that turned superhero/supervillain conventions on their heads and toyed with some of the genre's cliches. I liked the characters and thought the voice talents brought some vibrancy to them. I'm not Will Ferrell's biggest fan, but he's good with this sort of thing and shows some voice versatility as the dynamic protagonist runs through a range of emotions and takes some time to poke fun at Marlon Brando. I liked Jonah Hill and David Cross, too, although the former's got that voice that makes me think, "Who is that guy? I know that voice!" without really knowing that voice and the latter just makes me wish he was making Arrested Development instead of messing around with this kind of thing. Tina Fey is also in this, and you know that Tina Fey wouldn't waste her time with something that wasn't intelligently written. I do like the premise, and although it doesn't quite pack an emotional punch, the adult humor works pretty well without ever being nasty. And I liked the whole good-needing-evil thematic thing and the change our "hero" undergoes, something that wouldn't have worked if his character wasn't so well drawn out. I was most impressed with the animation. The people aren't animated in a way that improves on what Pixar did with The Incredibles years ago, but there's a lot of neat, creative details in the settings. The animators were really showing off with textures and reflections in this one, and I liked how they used color motifs for the central characters. This isn't a movie I'd care to watch over and over again, but I'm actually kind of glad I did see it once.
Still, it amazes me that the people at my school aren't asking for my opinion on what movies the youth of America should be watching. I have my own blog! But for whatever reason, when I bring up classic 1920's comedies that the students would enjoy, I'm ignored. Maybe it's because they know I gave Beauty and the Beast a 14/20. I wonder if it would help if replaced the soundtracks to the silent comedies with some Lady Gogol or Justin Beamer hits?
2 comments:
I'm sure that 14 is what's wrong. After being burned by "Despicable Me", I wasn't really very thrilled to watch this, but was very happy it was everything the former wasn't.
It is very well written, paced, and amusing. You are right about well drawn characters, and it makes them very engaging. "Megamind" doesn't try to do too much, but accomplishes it's goals very well. It is funny, sweet, and very entertaining. A 16.
I would have given it a 15 or 16 if it wasn't for the music...I actually had a 15 down for it before changing my mind right before publishing. I may change it back!
And we're watching 'Despicable Me' tomorrow...now I'm really pumped to see it!
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