1981 adventureRating: 20/20 (Jen: 16/20; Dylan: 20/20; Emma: 16.5/20; Abbey: 20/20)
Plot: The titular archeologist/professor globetrots in search for Noah's boat. He runs into some Nazis, a group of people who historically weren't very nice.
I've already written poorly about this movie twice, but Abbey picked it for family movie night. It's not one that I'll complain about having to watch again. That's part of the beauty of the thing. It's more than likely the film that I've seen the most times with the possible exception of Toy Story. Anyway, I'm dividing my thoughts into three categories for this--questions, noticings, and things-I-freaking-love.
Questions:
How can this be rated PG? It's got face melting/exploding. Face exploding, by the way, would be a horrible way to go, wouldn't it?
What's the body count? Next time I watch this, I'm counting.
Where the hell did Belloq get that goofy outfit and that staff? The only thing I can think of is that there must be a Ark-Opening Clothes "R" Us on that creepy island.
Speaking of that creepy island, how's Indy ride on the outside of a submarine for the distance shown on the map? Dylan explained that submarines are faster when they surface, so they probably wouldn't have gone under. If not, then why would they even use a submarine in that situation?
Is that Ralph Macchio preparing dates?
Why don't the Germans wonder why there are people off digging in a different place from everybody else? Belloq eventually notices them, but you'd think somebody would walk up to them and ask, "What the heck are you digging here for?"
How do you get a monkey to Heil Hitler salute? Or are monkeys just naturally hateful creatures? I wouldn't put it past them.
How many extras were in this movie? The big dig, the streets of Cairo. There are so many people in this!
How can Indy fans have so much of a problem with aliens and refrigerators in the new movie but not have a problem with melting faces and burning crates in this one? And speaking of the swastika burning scene, what's up with that rat? He looks like he's about to boogie.
Was Shooby LaBoof conceived on a submarine? I'm going to have to check the date for that fourth movie! If he was, it explains a lot.
Noticings:
All these movies start with monoliths, don't they? Or maybe just a plain rock.
There's a lot of man screaming in this movie. 1) The guy with the stocking cap screams at the statue as they're trudging through the forest. 2) Alfred Molina screams like a woman at a skeleton. I also freaking love how that skeleton turns his head to glance at Molina. 3) Toht (a role turned down by Klaus Kinski if you believe a word that guy says) gives his first girly scream when he grabs the hot medallion. Hot Medallion would be a great band name, by the way. 4) Random guy with turban screams when the Well of Souls is opened. Then there's Sallah's "Eeahahahhaheh" which, at the very least, isn't all that feminine. 5) The cobwebby skeletons in the Well of Souls scream. That makes even less sense than all of those different kinds of snakes living in there. 6) Toht gives the best scene of the movie during once the spirits from the ark start wreaking havoc until 7) the guy who screams after him manages to top it!
Scream bonus: The Wilhelm Scream is used when a dude spills from the back of the truck in the big chase scene.
The natives with their spears and blowguns are as accurate as the stormtroopers in the Star Wars movies. And a bonus question. There were a lot of spears being thrown in that chase scene. Once you're an extra in that scene who has thrown his spear--you know, shot your wad--do you keep chasing? You were probably handed another spear, right?
The guy trying to outdrink Marion looks like George Wendt, Norm from Cheers. I don't think that's a coincidence. All guys who look like that are big drinkers.
Indy almost consumes that "bad date" several times. It's a neat little detail.
The map room has an obelisk. I'm too lazy to see if that is architecturally correct. I had Indiana Jones actions figures and a map room, by the way. That's a really cool scene in the movie with the beam of light and Indy brushing away sand, but it wasn't all that fun to reenact in your bedroom. Also, there's one building in the map room that looked like it had been tagged. Was a street gang down there at one point or did the Nazis mark it?
Things I Freaking Love about This Movie:
That first shot of Indy--absolutely iconic. Framed by waterfall and mist, quick edited shots of bullwhip frenzy, Jones stepping out from the shade. So awesome. To think that Indy was almost Tom Selleck makes me slightly ill.
Indy's shadow on the wall of Marion's bar. Also so awesome. And I love their dynamics in that scene with dialogue perfection. You find out just enough about their past without it seeming like it was written in a script just so the audience could catch up.
Sallah: "Why does the floor move?" At this point, by the way, Jennifer informed me that she had never seen this movie all the way through. What the hell?
Toph! Love his beady little eyes. His little giggle--once when he walks past Belloq after they seal Indy and Marion in the Well of Souls and later after the ark is opened. And his hanger is the most bad ass hanger in movie history. And yes, I'm including the hangers in Birdemic: Shock and Terror. And that bald head of Toph's? It's nefarious.
I love how Indy fights so dirty during the brawl with that big bald Nazi guy--dirt in the eyes, using a chunk of wood as a weapon, the old point-at-your-opponent's-shoe-to-divert-his-attention trick.
How Belloq says "idiot."
Head explosion!
"It's not the years. It's the mileage."
The way Indy saves Molina by grabbing his belt. Poor Molina, by the way. This was his first movie, I think, and he starts his career by having tarantulas all over him, screaming like a girl, and getting killed by a booby trap that he had already seen which makes him one of the dumbest characters ever.
That gunfight in Marion's place? The best ever, the type that can make me type in hyperbole! But that motley crew of thuggery, the "Whisky?" from Indy, a guy punching with an arm that is on fire? All sans music, just the crackling fire, the rat-a-tat gunfire, breaking bottles. What a terrific scene.
Another action sequence--the Cairo street brawling. It's lively and exciting in the midst of an adventure story, but there's such a personality with the fight scenes. There's humor mixed in with the mayhem, all while Harrison Ford's got the runs.
And that guy who Marion threatens with a pan only to watch him pull out a knife? The dude's teeth are even scarier than his blade!
I love the mystical guy with the high-pitched voice they visit. You know he's a mystic because he's wearing bright blue and has his own telescope.
Terry Bradshaw's "Waa-ehh" as he gets run over. And before that, the "Let's see how you like it!" toss out the front window. Indy's so pissed. Before that, there's a shot of a guy on the windshield and Indy and his passenger look at each other and laugh. That guy's expression and the shared laugh of enemies makes me smile just thinking about it.
Indy putting his hat on against a sunset backdrop--just beautiful. That is one evil-looking sky as they find the edges on top the Well of Souls.
Not everybody likes the music in this (I'm eyeing you here, Laurence), but I love it. It's the soundtrack for my childhood outside play. That's the music I heard when I ran around my backyard with a fake gun and an invisible whip, and it's the music I heard when I stepped up the plate in the last inning of a baseball game in college with a chance to drive home the winning runs. In this movie--the familiar music when Indy, fleeing from 15,000 natives while dust from the cave flies off him in that terrific scene, swings from a vine like Shooby LaBoof and dives into the water. Boom!
After the booby-trap-packed cave climaxing with a fiberglass boulder chase, I'm hooked forever. If you're not, you're a child without a heartbeat.
Top men. Endless boxes. Where was that shot? That place has to really exist. What's in all the boxes? Other than dead alien bodies, of course.
What did I miss? What do you love about this movie?
5 comments:
The fact that I remember when you were naming Abbey and now she's choosing "Raiders" is intense. I remember Raiders and Arthur playing for an eternity at the second run theater by my house as a kid. My parents finally saw it and knew i HAD to see it ASAP. A week later I had the hat and the bullwhip and was making weird traps in my basement. 20/20. Selleck barf. I thought as a kid Temple of Doom was even better, but that's all context as now it's nearly unwatchable with the kid/blonde screaming. So is goonies. Spielberg loves screaming kids. I HATE THEM.
This was an awesome review, of course I love this score, and Star Wars, and Jaws... it's just the incessant John Williams I hate, and it's spilebergo's fault not his, how there is NO breathing room in his movies. Every footstep is scored. It's a retro criticism, as now I notice my favorite movies are not scored and have just incidental music.
That was a lot more than two paragraphs. How far did you go?
That kid--Short Round--better be in Indiana Jones V or I'm going to write Jar Jar a nasty letter.
Fantastic movie, and easily the best of the series. The casting is perfect, the cinematography is incredible and the music just plain works. My favorite thing about this film is the sound...everything is so big and loud. The retort of the gun, the crack of the whip, the opening of a door. They all sound so freaking gigantic. Yeah this gets a 20....an easy 20. You got a 21 or 22 in there, cause it could reach that quite well.
Ironically, this was our family movie this week, but only got as far as the fight scene in front of the plane (need to finish this week). Despite a little religious craziness at the end, this is an all-time great. It is one of a handful of films I saw in the theatre that I remember most fondly. I was in the balcony, and I had a great view of pandamonium on the lower level when he shot the scimitar guy.
The film never takes itself too seriously (until the end), and I love that Jones is able to be hurt, making him man even greater hero. He is an unmatched combination of brains, action, and humor and is Ford's greatest role. Also a 20.
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