Titanic
1997 blockbuster
Rating: 12/20 (Abbey: 16/20; Becky: only watched enough to ruin the experience for me)
Plot: As you can easily tell by the above poster, this is about the historic boat that sank in 1912 after ramming into a giant poor guy and a giant slut who were impersonating icebergs in the Northern Atlantic.
I'd already seen this monstrosity for the 100 year anniversary of Titanic, but Abbey and I had some time to kill and decided to pop this in. Of course, I only wanted to watch it for Kate Winslet nudity and was hoping that my daughter would have fallen asleep way before that, likely since large chunks of this compete for Most Boring Chunks of Movie of All Time. But no, Abbey didn't fall asleep. Not only that, my mother-in-law came into the room to watch the movie with us and asked specifically about that scene. Talk about killing the moment. I mean, Gloria Stuart and her wrinkles butting in intermittently is nearly enough to make a guy flaccid for life anyway. And then you add a mother-in-law? There's a cure for virility if you're ever looking for one. So I did what probably any other guy would do in a situation as awful as this one--skipped over the best scenes of the movie and be forced to watch them on Youtube more than a week later. Eight times.
And that, dear readers, is as terrible as what any of the actual victims of the Titanic tragedy had to deal with.
In fact, one could watch Titanic as a metaphor for my personal tragedy.
1) Leo is dissatisfied with his life, wants a change, and finds his way onto Titanic. In my situation, I had just watched a movie called Monster from a Prehistoric Planet that, despite frequent references to "Playmate Island," lacked nudity. So I perused my mother-in-law's dvd collection, saw Titanic, remembered that it's got Kate Winslet's boobs in it, and popped it in.
2) Leo sees Rose for the first time. I also saw Kate Winslet for the first time, and like Leo, I liked what I saw. She's very nearly perfection in this movie. Leo and I both think, "I should just skip ahead to the scene where she's naked."
3) Leo and Rose develop a friendship, a development that lasts well over four hours. I develop sleepiness but stay awake in anticipation of the best scene in Titanic.
4) Bang! The boat hits an iceberg. That iceberg symbolizes my mother-in-law in my tragedy. The boat represents my journey to see Kate Winslet naked, of course.
5) People start drowning, falling to their deaths, and turning blue in the icy waters of the North Atlantic. In my tragedy, that represents me hitting the forward arrow button on the remote and skipping over the only scene that matters in this movie with the exception of the couple shots where computer-animated people are falling from the back of the ship when it's all ass-up and hitting parts of the ship and flipping around.
6) Rose lets go of blue Leo who dies and sinks to the bottom of the ocean. That's just like my dreams of seeing Kate Winslet naked!
Obviously, James Cameron didn't make this movie as a metaphor for my personal tragedy. No, he made it to make a buttload of money. That this movie starts with the money-grubbing explorer looking for a gigantic blue diamond, a grave robber tearing apart the ghostly remains of this beautiful and very real ship that once had beautiful and very real people on it in order to become a rich king of the world. And that's offensive.
Look, if I made a 9/11 movie in which two fantastic-looking young people, knowing that their plane has been taken over by terrorists, decide to have sex in the airplane bathroom, a lot of people would be offended by it regardless of whether or not one of them was Leonardo Dicaprio. My special effects might be spectacular, but it wouldn't matter. My movie would be offensive. This isn't different. Cameron's taken a historical tragedy and added a lot of flair, an unbelievable love story, and a pair of nipples. The focus is just all wrong here. The lessons of the Titanic are in this bulbous motion picture, but the viewer is distracted by what's going on with the two main characters.
Cameron does a lot really good here. The underwater footage of the sunken ship, whether it's real or not, is really cool. It's haunting footage, and any emotion I felt during this movie was during these early scenes and not when the boat was sinking and its passengers dying since the movie had essentially turned into an action movie with only two characters who matter by that point. There are other individual scenes--the death of some poor people, the captain's demise, the stuff with the musicians--that worked really well, and in a movie that was about Titanic instead of Leonardo Dicaprio and Kate Winslet, they would have contributed to an emotional piece of historical fiction. The ship looks great even though you can tell in all the grand sweeping shots that it was created with a computer. I can't imagine another movie giving a better experience of what it was like on this ship. Well, other than that cartoon with the rapping dogs.
Click on that link there if you want to see the dumbest thing ever made.
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1 comment:
I think you really dropped the ball (so the speak) on the "Rose lets go of blue Leo and sinks to the bottom of the ocean". "Blue Leo"? Metaphor? Come on!
I think you are being too hard (stop it) on this movie. You say it yourself at the end. This movie makes you feel what being on the Titanic was really like. It is really incredible movie-making. The beginning is great and haunting. The love story with the kid from the other side of the tracks is fine. This didn't have to be a documentary, as there are plenty of those. It is a love story derailed by an all-time tragedy. Winslet's scenes are, um, interesting, and the ending is pretty touching. Having all the extra stuff isn't in bad taste and shouldn't diminish the story, as it personalizes the horror, and makes a good excuse to have Celine Dion music. Leo and boobs are a proxy for the hundreds of love stories that ran into an iceberg that fateful night. The picture is a blockbuster in every Hollywoody sense, but takes it's time for the personal stuff, like tit appreciation. A 17.
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