The Lavender Hill Mob

1951 comedy classic

Rating: 18/20

Plot: Mild-mannered and completely harmless Henry Holland has faithfully worked with a bank, overseeing the transfer of gold bars from Point A to Point B for many years. Secretly, he dreams of stealing it all and smuggling it out of the country. Unfortunately for him, there's no way to accomplish that. Until he befriends neighbor Alfred Pendlebury that is! Together, they formulate a plan, assemble a crew, and attempt the heist.

This movie is politely hilarious, an orgy of ironies. It's a literary comedy, one that might not make you bust a gut but still manages to be a million times funnier than most comedies you get. Twists and turns abound as the men's plans go horribly wrong, fall apart even more, start to come together, and threaten to completely unravel. Alec Guinness and Stanley Holloway are fantastic and very funny, and the minor players--the other half of their gang, their landlady--are also really good. This is the type of movie you can easily watch again a few days later, and it's nearly impossible to pick a favorite scene. There's just so much packed into a tidy little eighty minutes. The delirious police chase, the scene at the Eiffel Tower, the scene where Guinness's character in the warehouse after the heist, the scene where they try to find some criminals to help him. It all manages to feel manic, like something threatening to burst the seams and make a mess all over the place, yet completely laid-back and nonchalant at the same time. Good, good stuff. I still probably prefer Kind Hearts and Coronets, probably because the ending is better, but this is, as Alec Guinness would have said, pretty bitchin'.

Another Cory recommendation. He knows what he's doing most of the time.

2 comments:

cory said...

The Guiness-Ealing films are all great fun, and it's sad that they really don't make fun, tight little comedies like this anymore. This is one of the best. It really makes Guiness' performance in "Tunes of Glory" that much more startling. A 17.

Light comedy replacement: The 1952 version of "The Importance of Being Earnest". Don't let the title put you off.

Shane said...

Yeah, it's odd but the comedies I like the best are the ones like this, "like this" meaning comedies that I don't really even laugh at but would still describe as gracefully funny. Like silent comedies, I guess. I liked a lot of the more physical stuff in this one.

I'll check 'Earnest' out...