Rating: 16/20 (Buster: no rating)
Plot: A detective reluctantly helps out a cartoon slapstick star after he's accused of murder.
Imagine Roger and Jessica having sex for a moment. That's why this movie can't be any higher than a 16/20. If I didn't have to imagine that, we're talking at least an 18/20. And you can't blame Lars von Trier for this kind of thing because I watched this before Nymphomaniac and spent the entire time looking for Jessica's animated cooter. So step off, Christians! This movie's characters are fun, and the noirish structure works because noir is a little cartoonish anyway. I'm not a huge fan of the actual story or especially the ending where things get a little too goofy (pun intended), but those characters are great. Bob Hoskins and Christopher Lloyd play stereotypes, but they play them so well that it doesn't matter. Jessica Rabbit almost looks too good, and Kathleen Turner's voice fits her very well. I'm still not sure how the Disney people gave the animators the OK to draw her "that way"--those legs, those absurd knockers, those lips--but who am I to argue. She's still a cheap whore, however, compared to Betty Boop who gets a cameo in this. Of course, I'm old school, so I'd always rather screw a black and white cartoon character over a color one. The cameos help keep this fun, even at their most forced, but this movie really could have used a little more Droopy. Roger himself is a character I hated when I first saw this. Especially that stutter. Not sure what my problem was because from the first moment you see him on the screen, he feels like a classic cartoon comedy icon--a Mickey or a Bugs or a Tom or Jerry. And I like those weasels a lot. Of course, the real star of this show is the effects to blend the animated characters with the flesh 'n' blood ones. Technically, this is nothing short of magical. There's a Disney motto that comes from this--"Bump the Lamp." It's used to push animators to go that extra step and create animated details that would probably not even be noticed by most people watching the movie but that would be appreciated by those who do. It comes from a scene where there's a swinging lamp that casts moving shadows over both humans and cartoons. It's the little stuff like this that you notice that really makes this something special. Sometimes wonder to yourself "How the hell are they doing that?", and I don't know about you, but that's one of my favorite questions to ask during a movie. There's a liveliness to the whole thing, colors and movements leaping off the screen. It's got more dimensions than Mary Poppins (though it's not as arousing, and I don't care how many Jessica Rabbit cooters you throw at me) or Bedknobs and Broomsticks although the tone isn't as whimsical. Is it unclear who the audience is? It's definitely not a five year old who should perhaps not be exposed to such oppressive animated breasts or double entendres. Anyway, it's a lot of fun.
By the way, did you know that that question marks in titles are considered bad luck? That's why this doesn't have one. It makes you wonder what kind of luck you get from using two exclamation marks and a question mark gets you or how well A Talking Cat!?! would have done if it didn't have them.
2 comments:
I definitely would give this movie a 17 or higher. It's written and directly so perfectly. I don't know if the acting can be better... The story is tight. Especially for a created world such as this. Seriously, Robert Zemeckis gives Steven Spielberg a run for his money in a movie like this. Yes, the movie's adult themes and elements walk a line of appropriateness, but I was exposed to this as a 5-6 year old, and look how I turned out!
You're probably right about the difficulty in telling a coherent story in this kind of world.
Your last sentence there made me laugh, by the way. LOL!
Post a Comment