Silver Linings Playbook

2012 best picture nominee

Rating: 15/20 (Jennifer: 19/20)

Plot: Pat, a substitute teacher who spent a few months in a mental institution after beating up the man his wife was sleeping with, moves into his parents' attic. He tries to figure out a way to reconcile with his wife, a difficult task because of a restraining order. He meets a friend of a friend who happens to be a friend of a friend of his wife. She's got problems of her own, and the two figure out they're in a romantic comedy. Things progress from there.

Boy, was I wrong about this one. One, I assumed that I wouldn't like it, an odd prediction since it has Bradley Cooper in it. Two, I thought for sure it was setting up for a Shamalammadingdong-esque twist where protagonist Pat was just imagining all of these people. I'm still not entirely sure I want to believe that everything that happened in this movie actually occurred in the movie's reality. I want there to be something a little deeper with this story, I guess. The main character is bipolar, so I guess hallucinations or delusions wouldn't really have fit. Still, that cop who keeps popping up at just the right moments, Chris Tucker's character--the lone black man in Philadelphia, it seems--showing up inexplicably in all these places, all the pieces falling together so unnaturally. It's hard to take at face-value, isn't it? As pure rom-com cotton candy though, this is really pretty good. I really liked the performances. Cooper and Jennifer Lawrence play characters who really should be unlikable, but their performances here are a testament to how good looking they both are. I'm not sure I'd call what Lawrence did best-actress-award-worthy, but she's good and really easy to like and root for. And there are all these gratuitous shots of her posterior which the Academy Awards people must have enjoyed. Bradley Cooper might have been a little too wide-eyed at times, but he wears a trash bag better than anybody I know. De Niro and Jacki Weaver plays his parents, the latter more in the background but very funny when talking about her crabby snacks and homemades. De Niro's character is sneakily nuanced, his performance barely under control. He's good though. It's a great ensemble cast that really helps this thing swim, and the thing just was refreshingly entertaining despite the pain that some of the characters were suffering. It does kind of hit a point--the "parlay bet" scene--where things get a little too unbelievable, and after that, it all feels a little too much like a movie. Again, those pieces fall into place a little too neatly. You really almost expect that you're being set up for a devastating ending to this thing, at least for a handful of the characters. But they're all so likeable that the Hollywood endings slapped on this ends up being satisfying.

Or maybe the complete lack of a twist is the twist? That this so comfortably embraces its Hollywoodness should maybe be applauded.

Here's a twist--I'm giving movies Bradley Cooper bonus points from now on. In fact, I might do it retroactively. I'll have to find my A-Team write-up.