Chicken with Plums

2011 movie

Rating: 17/20

Plot: Renowned violinist Nasser Ali Khan is distraught after his violin is destroyed. Since he's unable to satisfactorily replace the instrument, he decides to retire to his death bed. His wife is unhappy with the decision.

This is a beautiful story, whimsically and imaginatively told. It toys with your emotions a little bit, starting out as a fantasy of sorts before transforming through flashbacks and flash-forwards into something that is borderline devastating. The main character is imperfect, but he's imperfect like most men, especially the artistic ones, and I had no trouble at all connecting with him. Mathieu Amalric is just about perfect in the role and reminds me of a character who belongs in an Aki Kaurismaki movie. Maria de Medeiros plays his wife, juxtaposing mousey with bitchy very well. I thought the name was familiar, and it turns out she was the beauty in Guy Maddin's The Saddest Music in the World. I also liked Golshifteh Farahani. She's got a great face and an even better name. The real star of this show, however, is its flavor. The source material is an Iranian graphic novel by Marjane Satrapi, and it's directed by her and Vincent Paronnaud, the same team that put together Persepolis. Unlike that, this is mostly live action, but it's about as close to animation as live action can be. I don't know if it's the graphic novelist's visual sense or what, but there's a style to this that I just loved. An exotic and fantastical world is created from what is really a simple story. There's some magical realism with a shopkeeper's magic wand, a visit from a twenty-foot-tall Sophia Loren, and a visit from the Grim Reaper are more out-there sequences, but even everyday things like the way a bus curves through mountainous roads is displayed in a way that makes this seem like it comes from a fairy tale. There are some cartoonish special effects that don't come close to adding to any realism but still manage to fit. There's also some stylistic variety in a hilarious black and white flashback where a teacher compares the main character to his brother and encourages his classmates to boo him and a flash-forward where an animated version of the protagonist's son shoots a buffalo out of the sky before the story morphs into a sitcom that might poke fun at the United States a little bit. There's a variety with the animation styles used, too. And there are puppets, and as my regular 4 1/2 readers could tell you, I'm a sucker for puppets. Again, this isn't all whimsy and surreal vignettes. There's a heart to this movie--"The love you lost will be in each note you play."--and it hit me just right.

I think fans of Amelie might like this.