1981 noir retooling
Rating: 16/20
Plot: Ned Devine, a womanizing lawyer, is trying his best to sweat through a hotter-than-hot summer. He meets married and rich Matty Walker whose husband is conveniently out of town five days a week. They become friends and have many adventures together, mostly playing badminton. One sultry afternoon, Matty serves wildly, and the couple watch their last shuttlecock somersault right into the gutter. Oh, snap! Without a shuttlecock, they can't play badminton. They brainstorm substitute activities and finally decide on having sex and killing Matty's husband which, if you think about it, is a lot like badminton.
Here's my favorite thing about this movie: It is so reminiscent of other movies, borderline ordinary even. On the surface, it seems derivative, a modern update on noir. It's like somebody was carrying around a box of noir and accidentally dropped it down the stairs and all the noir shattered and scattered all over the place so the clumsy guy had to clean up the mess and piece it all back together and glued pieces together randomly and came up with Body Heat. That might sound like a bad thing, but in this case, I don't think it is. Although everything about Body Heat is familiar, I can't place exactly where I've seen any of it, although there's a whole lot of Double Indemnity. Oddly enough, the borrowing of ideas, moods, textures, and maybe even shots somehow makes this seem timeless. This is stylish, right from the opening shot of Hurt watching a fire from his hotel window. I really liked the jazzy score and the banter between Ned and Matty. I thought it was great how their "hookin' up" (or whatever the youngsters are calling it these days) was stretched out and developed, almost to the point where you were on the edge of your seat waiting for the couple to finally get naked. Steamy stuff, so steamy that I had to wipe off my glasses. There's also great mystery burbling beneath the action of this movie; you know something is askew although you can't quite figure out exactly what that is. There were a few awkward moments. The conversation the married couple and Ned have at the restaurant seems contrived, and I think every scene with the niece could have been deleted. I had questions about the random appearance of a clown, the use of the word "dorkus," and a strange scene where everybody in a room decides to smoke at the same time except for the flamboyant Ted Danson. I also had to rewind and pause one scene so that I could read the writing on a bathroom wall:
"Eat my shorts"
"Death to tourists"
"Sofa sucks"?
"Big Al eats here"
"Whip it good"
"Surf Punks"
This was a Cory recommendation.
3 comments:
Honest confession time. When I was 16 in 1981, what I looked for in any movie that didn't contain sharks or monsters was naked girls. My parents didn't have HBO and I wasn't on any sports teams, so "Body Heat" seemed like just what the hormones ordered. I can't tell you how shocked I was when I realized a movie could have nudity, sex, and still be one of my favorite films.
For me, "Body Heat" has it all; great atmosphere and mood (the pervasive heat is almost tactile thoughout); it has humor and edginess; it has a great twist at the end; and it has multiple star-making roles.
William Hurt is perfect as a likeable sleeze in heat, just looking for a reason to fall. Kathleen Turner oozes bad-girl sexuality (I bet Barbara Stanwick never did that!). I love Ted Danson's quirky, funny, and concerned friend. Finally, Mickey Rourke sadly shows glimpses of the superstar he might have become if he wasn't such a head-case ("his 50 ways to fuck it up... and you ain't no genius" scene is one of my all-time favorites). I also LOVE the score (one of my favorites) and setting.
Your review is positive, but seems incomplete. There are elements of other films (obviously a modernizing of "Double Indemnity"), but I think Kasden pulls out all the stops to make "Body Heat" the most complete and successful noir film because it can be appreciated on many different levels. The R rating allows him to take the concept to it's fullest potential.
This is still a 20 for me, even though I no longer watch it for the same reasons as my horny former-self. I'm glad you liked it since it was a risky pick.
The suspense replacement can be "A Simple Plan". I missed "I'm Alive" (I'll keep my eye on IFC), but I will get the ape film.
I always liked this movie...not quite as much as Cory, but it was one of those movies we had both discovered independent of each other, before we ever met, and we both liked it.
Its interesting to see, William Hurt considered a sex symbol. Ted Danson as the goofy, lovable friend, and of course, Kathleen Turner, before she ate Karen Allen, before Karen Allen at Short Round, looking so good.
Great cast, good story, and the point about it being timeless is well taken. This movie could take place at any time, and still work.
I give it an 18...........I think other "noirs" are better, but this is as close as you are going to ever get to a film noir in color.
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