2005 superhero movie
Rating: 15/20
Plot: But Batman isn't a superhero, Shane! I know it's a free country and all, but you shouldn't even have the right to type a blog entry about this movie if you think Batman is a superhero. You just don't get Batman. The character is too cerebral for you or something. Why don't you go find some Japanese website that will sell you bootleg dvd's of season one of Plastic Man or something. Or watch Up again and avoid comic book movies altogether. Geez Louise!
A couple questions: Why, if you know your son had a traumatic experience with bats after he fell in a well and frequently has bat-related nightmares, would you take him to a weirdo opera that has bats in it? That's just bad parenting. And how did Liam Neeson get all those bats on that mountain?
I'd promised to give these movies another shot and figured that the week prior to the release of the last movie was a good enough time to make it happen. I've seen them all now and liked these first two a little better than I did the first go-around. First thing I notice is how perfect the casting is. I've trashed Christian Bale many times on this blog, but that was only because he looks like a guy who started yelling at me (for no good reason!) at a shopping mall once, right in front of The Gap. Who knows--maybe it actually was Christian Bale? But still, that's no reason to hate him as an actor, and he's a really good Batman, at least in this one before his voice changes. He is a lot more believable as an actual human being during scenes where he's not required to think or show any emotion though. Tom Wilkinson as Falcone is really good, just the perfect accent for the part he's playing. Ken Watanabe gets to stand around. Gary Oldman is just about as good as it gets here; he adds a depth to this character who, from my limited comic book and Batman experience, always seemed like a fairly generic character. Liam Neeson is his usual awesome self with his "Death does not wait" and other trash talk. Morgan Freeman plays himself, but he plays that part really well. And what the hell? Mark Boone Junior is haunting me or something. Dude actually showed up in my dream the other night, did this little juggling fiery bowling balls trick while saying, "Got my eyes locked on you, buddy--I'm doing this instinctively!" The dream ended with the whole world on fire. One criticism that I had about this movie the first time was a villain that I couldn't get too excited about, but the Scarecrow character--played in a kind of silly way by Cillian Murphy, a guy with a silly first name--is fascinating. Weaponized hallucinogenics? The weak spots are Gus Lewis as young Christian Bale and Linus Roache as Batman's dad, both not on the screen enough to really matter. Batman's dad should have been Gary Sinese or--and I might be stretching things a bit here--Denzel Washington. On the screen more than enough to matter is Katie Holmes who is just not a very good actress. The action sequences don't always thrill me. An early one in prison is so choppy and quickly edited that I actually got a little dizzy. I could have watched a lot more of those old-school kung-fu-ish training sequences with Liam throwing out all these little Yoda-esque nuggets of wisdom. The destruction of the League of Shadows pad was fine if you suspend your disbelief enough, but that slide down the mountain to save Liam Neeson looked ridiculous. Once Batman pops into the movie, the action works better. A brawl at the dock, one that played on the whole idea of fear as a weapon really nicely and showed off Batman's ninja skills, was great, all swooping black and peek-a-boos. There are a couple big action scenes where things happen just in the nick of time, all too typical of big big action movies. It takes away some of the realism and reminds me too much of the television series in those moments. And it's all set to this giant movie music from Hans Zimmer and James Newton Howard which really fits but almost cheapens things. Things are poured on really thick in the end with a Bruce Wayne and Gordon love subplot. Throw in a bunch of scenes with a badass bat tank with thankfully only a few dopey jokes to interrupt the proceedings, and you've got a very good first act for this trilogy, one that never really feels like it needs to find its feet at all.
Oh, I forgot to mention Michael Caine. Did it surprise anybody at all that he's perfect for the role of Alfred?
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