The Dark Knight Redux

2008 middle movie

Rating: 16/20

Plot: I once played poker with a woman dressed as Heath Ledger's Joker. It was around Halloween time, but it still didn't make a lot of sense. It was before I saw The Dark Knight, so I didn't know if she was imitating the character or just gassy. I'll tell you one thing though--I'm pretty sure people dressed as movie characters have more tells than people dressed as ordinary people. If I'm remembering correctly, I won almost 13 dollars that night.

I like how all three of these movies open with a bat symbol.

What an opening this one has! Wisely, this starts with the Joker who is the most intriguing character in a trilogy with a lot of intriguing characters. Unwisely, this doesn't end with the Joker, and when I wrote about this movie the first time, that was the biggest problem for me. Once the antagonist is gone, there's no need to continue things unless you're trying to set up the third movie which Nolan isn't even doing here. I didn't get it. Why the hell does this movie keep going? Watching this a second time, it makes a little more sense. The movie isn't the Joker's story. If it was, we'd be disappointed because there isn't a beginning to the story. And it's not Batman's story either. This is really Harvey Dent's story, his fall from grace, and his eventual demise. And as Harvey Dent's story, that final 30 minutes or so is absolutely necessary. Of course, the problem is that the character who gives this film its fire is gone, and Two-Face, no matter how many times he flips that coin of his, just can't carry that final chunk of movie. It's not Aaron Eckhart's fault; he's fine as this brash character, really another perfect choice for a role in these movies. No, it's all the Joker's fault. So back to that opening. From the get-go, nearly everything Heath Ledger does here is perfect. I even love the way he walks, this swagger that he's got, in the opening scene in the bank. And the music in this opening bit is incredible, building this perfect tension. Since childhood, I was always more attracted to the villains in movies--Boba Fett, Lex Luthor, The Blockheads, the list goes on--and as an adult, Ledger's villain is one you can really sink your teeth in. And although you might not want to completely get on board with what the guy is doing, the Joker's argument does actually make some sense, doesn't it? This isn't really a movie about good vs. evil anyway. It's more a clash of philosophies or ideologies, and that's what really gives it its strength. It definitely gives the most dynamic fifteen-or-so-minutes in the entire trilogy (arguably. . .I might have to reconsider this one) its power. The interrogation, the rush to the buildings where Dent and Maggie are about to be blown to smithereens, the Joker's prison games. Is there a fifteen minute chunk of movie that is as intense as that? There's another powerful scene where the camera circles Maggie Gyllenhaal and the Joker. Intensity. Whenever Ledger's on the screen, this is magical. His disappearing pencil, the dark humor in the dialogue, his greed at the bank, his shenanigans when he meets the mob, the burning pile of money, the dangerous game he plays near the end of the movie. It's all so good, but you know what my favorite Joker moment is? It's when he is leaving the hospital and stops to use the hand sanitizer. Such a beautiful little detail. The rest of the cast? More of the same. They're fine, and Gyllenhaal is an improvement over Tom Cruise's ex-wife. William Fichtner gets a small part as a badass bank manager. The action stuff is fine, thrilling enough and refreshingly filmed with few computer-aided special effects. There's a dopey helicopter crash though. This is a nearly-great movie which is why its flaws are so frustrating. Batman's new voice? The whole sonar cell phone thing? "Have a nice trip? See you next fall." Did that line actually happen in this movie?

I really liked a truck driver's performance in this. I think his name is Jim Wilkey although Jim Wilkey is only credited with stunts. His performance was even better than Heath Ledger's!

3 comments:

Barry said...

A 19 from me. A gritty success at making Batman an urban warrior. Yeah the movie is completely stolen by Heath Ledger, but its okay in this situation, because that exactly who the Joker is supposed to be. I walked away from this movie impressed and amazed at the direction Nolan took the characters, and how big the movie seemed to be. Good entertainment, and generally the smartest, most realistic comic book movie yet made.

cory said...

I commented when this was previously reviewed and feel the same way. I would up it to an 18, though, mainly because of Ledger. There is not a single line he utters in this film that is not interesting because of his great performance.

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