1953 movieRating: 17/20
Plot: Darkly almost-comic battle of the sexes within a filthy dilapidated circus. As they pull into a certain town, the ringmaster plans to visit his ex-wife and sons for the first time in three years. Meanwhile, his current love--a Spaniard who rides a horse around and displays bobbing bosoms--sleeps with an actor they met when borrowing clothes from a theater troupe. Problems in their relationship escalate poetically. Nobody lives happily ever after.
Great stuff. It's often amazing what the camera does in this, and although it has a few flaws, this is still a great Bergman flick. A first viewing feels incomplete, but the visuals (especially in an early flashback/dream [?] sequence involving a clown and a naked woman and the thickly tense climactic scenes) are so capable of creating moods. There's a definite and not-very-complex plot, but this still works more as a movie you feel rather than follow. There are strange period details that make this both otherworldly and timeless. Add terrific acting, an interesting score, lighting that even somebody as dumb as me can notice and appreciate, and some close-ups of clowns' faces, and you've got yourself a great movie. Keep in mind, however, that I'm a sucker for circus movies. Usually, they've got both midgets and monkeys just like this one.
3 comments:
This is an excellent Bergman (maybe there is a Bergman-"man" doc out there for you) film that I unfairly maligned in an "It's a Wonderful Life" argument. There is a lot of pain, truth, and many little tragic moments. The acting is great and I was moved by these charaters, their lives, and relationships they are bound to. A 17.
Yeah, this movie's feelings were hurt in the 'It's a Wonderful Life' comments...'Sawdust' was all like, "What the hell did I do??"
Unlike Jodorowsky's 'The Holy Mountain,' by the way...I think you maligned that one as well, but 'The Holy Mountain' knows exactly what it did.
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